35mm Reversal Films Are Not Negatives

Slides (transparencies) are positive images on clear film, designed for projection. Here’s what “reversal film” means, how it’s processed, and how slides differ from negatives and prints.

What is a slide?

A 35mm slide is an individual transparency mounted in a 2″×2″ cardboard or plastic frame. Because it’s a positive, the colors and density appear correct when projected or viewed on a light table. Slides are made from reversal (positive) film, not from negative film.

Reversal film & E-6 processing

Reversal film produces a positive image on a transparent base. Modern color slide films (e.g., Ektachrome, Fujichrome) are developed using the E-6 process, which replaced earlier E-3 and E-4 methods. E-3 used a light re-exposure step and was prone to fading; E-4 used now-obsolete, environmentally unfriendly chemicals, including a toxic reversal agent. E-6 yields stable, vibrant transparencies ready for mounting and projection.

But I shot negatives—how did prints work?

With color negative film, your lab first developed a negative, then made a positive paper print from that negative. With slides, the film itself becomes the positive—no print required for viewing.

Internegatives (from slides)

While slides are not negatives, labs could create a negative from a slide when needed. The common workflow:

  1. The original camera negative (for movies) is printed to an interpositive.
  2. The interpositive is color-timed and printed to an internegative.
  3. The internegative is used to make positive release prints.

For still photography, similar internegative steps let labs make traditional RA-4 prints from a slide when a direct positive process wasn’t used.

Cibachrome / Ilfochrome prints (direct positive)

Ilfochrome (formerly Cibachrome) was a premium, dye-destruction, positive-to-positive print process made directly from slides. Prints were made on a stable polyester base with embedded dyes, known for exceptional sharpness, color purity, and archival permanence.