Slides (transparencies) are positive images on clear film, designed for projection. Here’s what “reversal film” means, how it’s processed, and how slides differ from negatives and prints.
A 35mm slide is an individual transparency mounted in a 2″×2″ cardboard or plastic frame. Because it’s a positive, the colors and density appear correct when projected or viewed on a light table. Slides are made from reversal (positive) film, not from negative film.
Reversal film produces a positive image on a transparent base. Modern color slide films (e.g., Ektachrome, Fujichrome) are developed using the E-6 process, which replaced earlier E-3 and E-4 methods. E-3 used a light re-exposure step and was prone to fading; E-4 used now-obsolete, environmentally unfriendly chemicals, including a toxic reversal agent. E-6 yields stable, vibrant transparencies ready for mounting and projection.
With color negative film, your lab first developed a negative, then made a positive paper print from that negative. With slides, the film itself becomes the positive—no print required for viewing.
While slides are not negatives, labs could create a negative from a slide when needed. The common workflow:
For still photography, similar internegative steps let labs make traditional RA-4 prints from a slide when a direct positive process wasn’t used.
Ilfochrome (formerly Cibachrome) was a premium, dye-destruction, positive-to-positive print process made directly from slides. Prints were made on a stable polyester base with embedded dyes, known for exceptional sharpness, color purity, and archival permanence.